Posted on September 3, 2015 by davidmacfaddenelliott
Some people declare their major at 19. Or lose their virginity. Or try a Manhattan for the first time. At 19, Mark Rivera was just getting his first real gig: playing sax for Sam & Dave. From that auspicious breakthrough, Rivera worked on a number of projects, any one of which could have been a career-defining highlight: marquee gigs working with Foreigner, Billy Joel, Paul Simon, and Ringo Starr.
You may not know her name, but you’ve seen her work. Catherine Thomas is the costume designer you call when you need a hero to look his best while firing a gun, accurately, in a rapidly descending plane (Liam Neeson in Non Stop) or when you need a swarm of paperdoll bad guys to all look like menacing Japanese Reservoir Dogs (the Crazy 88s in Kill Bill Vol. 1) or when you need the right hat for the right officer who needs it to stay tilted just-so even while they bust down a casino. That last challenge comes courtesy of Public Morals the long-gestating cop drama from Ed Burns and Steven Spielberg that gets rolled out on TNT tonight. In this interview we talk with Thomas about her menswear tips, her storied career, and what makes Public Morals style different from, say Mad Men
Posted on August 12, 2015 by davidmacfaddenelliott
In May 1965, pianist Vince Guaraldi dragged his “saloon music” up from North Beach to the top of Nob Hill, and laid it bare before the altar of the newly-completed Grace Cathedral. He had a well-oiled rhythm section backing him, and a corps of 60 voices. James Easton and S.S. Weiss from Fantasy Records only had a couple hours to set up their whole portable tape rig (couldn’t disturb the other services), but they were used to strange setups; they once recorded Guaraldi at the crowded Nighthawk from the comfort of the men’s room (no other space to set up). While the public clamored to get into the sanctuary, the dissenters were likely there, too, gathering fuel for their next death threat against the event’s mastermind, Reverend Charles Gompertz. Critic Ralph Gleason was in the audience, too, and that night, perhaps while smoking a pipe of his custom Dunhill blend, #965, he would ink a fresh and enthusiastic review.
Funnyman and actor Ron Funches takes the stage at the Outside Lands festival this weekend. While music is the main attraction, the Barbary Stage hosts a plethora of comedians. This year’s line-up includes veteran stand-up comic, Tig Notaro, and the renowned comedy houses The Groundlings and Upright Citizens Brigade. Performing among them is our current favorite comic, Funches, who was kind enough to take some time to chat with us about his acting, his vices, and what he has in store for Golden Gate Park this weekend.
Bond’s latest outing bows Oct 26 in the UK and Nov 6 in the US. You probably know that Daniel Craig is still the man in the suit, but you may not know that “Spectre” will likely be Sam Mendes’ last turn at the helm. Here are some more bits of intel on Bond 24.
Now the next James Bond installment, Spectre, is on the horizon. So what better way to get jazzed up (See what I did there?) about Bond 24 than to check out the San Francisco Symphony’s “The Spy Who Loved Me: Music from the Bond Films & Favorite Spy Movie Themes,” featuring Sheena Easton, who performed the theme from Bond 12, “For Your Eyes Only” (which hit #4 on the Billboard Hot 100 chart in 1981).
Golf Digest ranks the Top 100 Courses in the World, and #2, repeatedly, is Cypress Point in Carmel, California (Augusta is #3 if that’s any indication). It’s private, with a very small membership, and golf geeks can argue over whether it is the toughest course to get onto in the country, or 2nd, or 3rd, but no one would argue that it’s really, really hard to get an invitation. A few months ago, I was invited to play, and a vacation 18 months overdue was postponed to accommodate the opportunity.
How much music can fit into one night? That depends on how carefully you plan. Last Saturday I sampled some opera, jazz, and disco. It could have been rap, hardcore, and bluegrass, I suppose, but I was in the mood for opera, jazz, and disco. In that order. This is a recap of a night spent checking in on San Francisco’s musical grand buffet. At 5:30pm, I bought a standing room ticket for San Francisco Opera’s “Les Troyens” (The Trojans). Composer Hector Berlioz based the work on Virgil’s epic poem, “The Aeneid,” and the undertaking was so massive it had to be split into two separate operas, each with their own curtain call.
Posted on February 25, 2014 by davidmacfaddenelliott
With the 2014 Winter Olympics in Sochi all wrapped up, we wanted to take a look back at the most impressive looks. (And we mean impressive in the dictionary sense of “to leave an impression.”) The looks are ranked from Gold to Did-Not-Finish. And if they look a little off-color, that’s because we use the bacon medal system, as imagined by American snowboarder Sage Kotsenburg…
Posted on November 1, 2013 by davidmacfaddenelliott
As part of Eater SF’s continuing Cocktail Week coverage, they compiled a list of SF’s priciest mixed drinks. And, for better or worse, Brian MacGregor’s Bobby Burns-inspired “King of the Orkneys” ranked pretty high on the list.